Mary Weatherford: Canyon—Daisy—Eden Sidney Felsen illustrating each one with a

illustrating each one with a thumbnail image and detailing title

the oil-on-canvas compositions are created with a “contact printing” transfer method: he paints on a piece of unstretched canvas and then presses a second canvas onto the first to make an impression

crafting rough-hewn figures characterized by alternating planes and volumes that generate an interplay between two- and three-dimensional elements to give an impression of power and vulnerability

” which translates to “This title dates from January 1937

Oehlen’s works are focused on his cryptic Ömega Man motif

Mary Weatherford: Canyon—Daisy—Eden Sidney Felsen illustrating each one with aThis career spanning volume documents the first museum retrospective devoted to the work of Mary Weatherford. Over the last three decades, Weatherford has developed a rich and diverse oeuvre, from her early 1990s target paintings based on operatic heroines to the expansive, gestural canvases overlaid with neon tubing that brought attention to her practice in the 2010s. Mary Weatherford: CanyonDaisyEden surveys the artists career, drawing from several