Jenny Saville: Oxyrhynchus Marcello Francone and was the first time

and was the first time works from the Self-Portrait and Sky Backdrop series were shown in the country

where the net proceeds raised will support the fight for equitable access to COVID relief in the world’s most vulnerable communities

An essay by curator and art historian John Elderfield explores the artist’s themes and imagery

cocurated with Gary Tinterow at Tate

The publication includes a new essay by Jan Tumlir

Jenny Saville: Oxyrhynchus Marcello Francone and was the first timeThis poster featuring Odalisque (201214) was produced in 2014, in conjunction with the exhibition Jenny Saville: Oxyrhynchus at Gagosian, Britannia Street, London. Depicting two fragmented and intertwined reclining nudes, the painting alludes to the eroticized painterly genre of its title, and to the ancient Egyptian archaeological site for which the exhibition was nameda place that Saville contemplates through depictions of paired faces and body