Flattening and simplifying a violent event into a stylish graphic icon
Incorporating two- and three-dimensional works across painting
the bilingual (English/Chinese) catalogue includes two sections bound to a W-fold cover—one dedicated to the nine exhibited works
Gabriel weaves a social and cultural history of the roles women played in postwar American society into her narrative of these five artists
in contrast to the flatness of other sections of his collage-like compositions
Anna Weyant: Baby, It Ain’t Over Till It’s Over Paul Auster Flattening and simplifying a violentThis poster featuring Two Eileens (2022) was produced in 2022, in conjunction with Anna Weyant: Baby, It Aint Over Till Its Over, the artists debut exhibition with the gallery, at Gagosian, 980 Madison Avenue, New York. The painting depicts the doubled figure of the title in two slightly different poses, suggesting subtly divergent aspects of the same persona and making reference to the biblical doubled image. Weyants precisely rendered female