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McLeod is messing around with cultural themes here
has an integral kinetic element
The glass and paint are so painfully “transparent” (obvious/unguarded)
This giclee is hand-signed in oil by the artist
She is seen from the back and the slightest edge of her eyelashes show that her eyes are open
Mediator charcoal McLeod is messing around withOil on glass, 28x22"; tempered glass, mahogany, aluminum. The figure is simple, static, and beautifuland barely tense. She is seen from the back and the slightest edge of her eyelashes show that her eyes are open. When the painting is folded from right to left to reveal the other side, she appears the exact same, only mirrored. At play here are ideas of manipulation, beauty, perception, and control. Is she adorned or controlled? Inquire about
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