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Investing a cinematic allusion with references to the histories of modern painting and graphic design
imbuing her enduring subject—the human body—with an elusive dimensionality that verges on the abstract and evoking the layered and fragmented texts unearthed at the Egyptian archaeological site of Oxyrhynchus itself
Between the Clock and the Bed commemorated the fiftieth anniversary of the debut of the crosshatch paintings at Castelli Gallery in 1976 and bookended Gagosian’s occupancy of its flagship gallery at 980 Madison Avenue
and we highlight a range of practitioners
Andy Warhol is shown posing
Albert Oehlen Jean-Christophe Ammann Investing a cinematic allusion withThis book was published on the occasion of the exhibition Albert Oehlen at the Serpentine Galleries, London, which brought together a group of Oehlens paintings and drawings, dating from the 1980s through 2019, that interpret, appropriate, and remix visual elements from John Grahams painting Tramonto Spaventoso (Terrifying Sunset, 194049). As the focal point of the exhibition, Oehlen created an installation of monumental diptychs and triptychs within
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