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In the follow-up to his breakout monograph I can't stand to see you cry
Moore’s exclusive access to immigrants on all points of their journey
that Diego begins to depict an inner world that is difficult to grasp: a stream of colors and shapes
There is a limit to what can be observed in an environment so deeply woven with complexity
The Longest Village in the Country' (2015-2018) is a multi-layered photographic narrative in a form of a photobook with cross-references like hyperlinks to additionally inserted stories connected to the subjects and landscape
A Spiritual Good Time Magazines In the follow-up to hisThe source of the photographs in A Spiritual Good Time is from various surfing magazines published before 1990. The appropriated images from mass printed surf culture is a meditation on the perpetual pursuit of pleasure. It is a blending of fear and desire within a sport that often focused on the heterosexual gaze, hyper masculinity, localism and the gossamer tipped dream of all inclusiveness and spirituality. Through tight cropping and editing of the
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