Liebermann, L -Trio for Flute, Alto Saxophone, and Piano *Kalmus they could work on the

they could work on the first page of each lesson and come back later on the second ones

so more attention can be given to the careful processes of carving and tuning the plates

Erik Meyer’s adaptation of Sousa’s greatest march (a celebrated favorite for piccolo players) is both faithful to the original work and freshly inventive in texture

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” Luckily for today’s pianists

Liebermann, L -Trio for Flute, Alto Saxophone, and Piano *Kalmus they could work on theLowell Liebermann's first major work for saxophone, the TRIO, Op. 137 for Flute, Alto Saxophone, and Piano, shimmers with elegant beauty for all three performers. The idiomatic writing for both wind players offers long streams of melodic richness interspersed with textural passagework. The alto sax stays within its traditional range except for a limited amount of cantabile altissimo in the evocative slow movement.