Imi Knoebel – Keilrahmen günther uecker This hand-signed and numbered woodcut

This hand-signed and numbered woodcut

Peyton has described printmaking as generative rather than secondary: "Often I'll make a work after something I make in the print studio

7 cm (22 × 22 7/10 in)

the Black Bra works isolate an everyday garment and reposition it within the language of high art

with varnish overlay

Imi Knoebel – Keilrahmen günther uecker This hand-signed and numbered woodcutImi Knoebel's Keilrahmen (1968 89) is a wooden multiple that pushes minimalist reduction to its logical extreme. Following Malevich's reduction to the black square and Robert Ryman's elimination of subject matter and color, Knoebel removes the canvas altogetherleaving only the stretcher frame with four wooden wedges positioned as sculptural elements. This radical gesture embodies Knoebel's conviction that "everything has been done already. () If you