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Shooting on color film
Monroe is captured during a visit to the set of Desiree
In Flagrante (1973–85)
Cristina de Middel investigates photography’s ambiguous relationship to truth
exploring the modern architecture of the large cities he’d grown up in
Magnum Editions: Marilyn Monroe on the set of “The Misfits”, 1960 Framing:Unframed Shooting on color filmEve Arnold began photographing Marilyn Monroe after the actress saw her pictures of Marlene Dietrich in Esquire. They met at a party and Monroe asked: If you could do that well with Marlene, can you imagine what you can do with me? So began their professional relationship, which, over the years, turned into friendship. Arnold photographed Monroe six times over the decade she knew her; the longest of these sessions being a two month stint during the
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