Debbie Harry, Best of Blondie Session II, 1981 NYC 1976 Sheila Rock's 1980 photograph of

Sheila Rock's 1980 photograph of Sade Adu should be normalized under the verified subject and year already present in Shopify

David Johansen was a crucial bridge between the glam excess of the early 1970s and the punk explosion that followed at CBGB and Max's Kansas City

The work broadens the Michael Grecco collection beyond punk and post-punk clubs

With minimal contextual detail

dated and hand-signed by Roberta Bayley on the front

Debbie Harry, Best of Blondie Session II, 1981 NYC 1976 Sheila Rock's 1980 photograph ofA second frame from Martyn Goddard's 1981 Best of Blondie studio session, Debbie Harry's face resting against a black vinyl record marked with a red lipstick kiss, her eyes lined in electric blue. Where the companion image plays it for laughs, this one is all cool glamour, the disco era Blondie look distilled into a single, poised portrait at the peak of the band's fame. Produced as museum quality archival pigment prints from the original