WOMANWOOD: THE SMUT GAZETTE #3 delete which the artist sometimes retouched

which the artist sometimes retouched to further accentuate the strangeness of the scenes he “collects

where we left wondering what took us so long

This book is about picking up all the things lost in translation while reading the essays of Norwegian writer and feminist Camilla Collett (1813-1895)

one of the most distinctive and imaginative artists to have come out of Glasgow in the latter half of the 20th century

east and west

WOMANWOOD: THE SMUT GAZETTE #3 delete which the artist sometimes retouchedWomanwood #3 devoted to Venus Cloacina, Goddess of the Roman sewer. Contributions from Micaela Brinsley, Ash(ley) Michelle C., Martin Duthey, Mona Gendron, Daniel Gianfranceschi, Rachel Pafe, Robin Percyz, Daniela Petrosino, Syd Ramirez, Ilias Tsagas An excerpt from the introduction by the editors, a bit of aftercare in advance: At the entry of the Cloaca Maxima, the Great Drain of Ancient Rome, there was a shrine to Venus: the Venus Clocina, goddess