At the Edge Living room The light has that high-noon

The light has that high-noon honesty that softens nothing and forgives everything

Echoes the soft colour fields of Rothko and the long pastels of late James Turrell — held in a photographic register

Her hair is pulled into a small knot at the crown

navy deep at the throat — each field meeting at hard edges

This is the most populated frame in the Nature series

At the Edge Living room The light has that high-noonAt the Edge frames the meeting point between a small Greek island town and the open sea whitewashed houses lined along a cliff, a single tree leaning into the wind, a tucked cove where a few sunbathers gather on warm rock. The water below works through every blue available to it, from glass clear shallows near the shore to a deeper teal where the wind cuts the surface. Shot on film by Frida, the frame carries the soft analog grain that gives the