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We have approached the editorial problems from several angles and have published editions that meet the needs of students and professional performers alike
Volume XV – Chamber Music Works
there are introductory performance notes for each piece by pianist Sarah Cahill
Christina Perri and Queens of the Stone Age
helping to make connections between repertoire and technical work
Bruch: Kol Nidrei op. 47 for Cello & Piano Syllabus_Bassoon We have approached the editorialAside from his popular Violin Concerto no. 1, Kol Nidrei numbers among Max Bruchs most famous compositions. The melancholy Adagio after Hebrew melodies was written in 1880 for the cellist Robert Hausmann. It treats two old Jewish songs whose extraordinary beauty proved deeply moving to the Protestant Bruch, by his own admission. The tenor cello sound is the ideal medium for the voice of a Jewish cantor, and thus to this day Kol Nidrei offers every
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