Beachside #1 Inspired by Lindbergh hung in sequence with its

hung in sequence with its siblings it becomes the breath at the end of the line

The chalky washes gain depth through the acrylic face

Where other frames in the series lean on a cabin window at altitude or two figures crossing a snow-slope

this one is graphic — closer to the way Saul Leiter would let a strong line do the structural work and the figures handle the feeling

and the ambient hum of the station carrying his sound

Beachside #1 Inspired by Lindbergh hung in sequence with itsA beachside wall art print seen from altitude a wide pale expanse of sand filling most of the frame, parasols scattered like primary coloured punctuation, a band of chlorine turquoise sea holding the top edge. Figures shrink to specks, shadows stay short, and the eye drifts across the surface the way an afternoon drifts across a coast. The most aerial piece in the Beachside series , and the one that most fully arranges the summer rather than reports