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The double-choir first section of the motet – beginning with the basses of both choirs declaiming the first line of text like a motto in unison – is followed by a second part in which the biblical text is simultaneously combined with a chorale (here in the soprano)
Julian Fontana
composed in 1796 by Mozart’s contemporary Jakub Jan Ryba
Particularly during the early 1740s
It deals with the conflict between Dread (contralto) and Hope (tenor) in the face of death
Missa brevis, TVWV 9:10 (Score) series__Mer hahn en neue Oberkeet. Cantate burlesque (Bauernkantate) BWV 212 (J.S. Bach) The double-choir first section ofTelemann's Missa brevis on the chorale for Pentecost "Komm, Heiliger Geist, Herre Gott" is one of his eleven surviving Latin Missae breves based on church hymns. The motet like composition calls for a mixed choir accompanied by a basso continuo, reinforced by colla parte instruments. However, the mass can also be performed solely with an organ accompaniment.
