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Saul, HWV 53(ポケットスコア) series__Te Deum II S 24 (Liszt) (6) rhythmic alteration practices

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Description

(6) rhythmic alteration practices

for which Herr Eiler is willing to supply money

Präludium und Fuge d-Moll (1902)

joy of man's desiring) from Cantata "Herz und Mund und Tat und Leben BWV 147"

Details regarding the genesis of this work and an evaluation of the sources can be found in the explanatory texts in this edition

Saul, HWV 53(ポケットスコア) series__Te Deum II S 24 (Liszt) (6) rhythmic alteration practicesSaul, published for the first time in the version conducted by Handel himself. Saul is one of the most dramatic of Handel's oratorios. To a greater extent than almost any other oratorio it reveals with its gripping dramatic power its proximity to opera of its time. The score demands what was at the time Handels most varied orchestra. The normal opera orchestra of the day was augmented by trombones, harp, solo organ, carillon (Glockenspiel) and large

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