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Matthäus-Passion BWV 244 [basso (cello/double bass) part, choir 2] Willi Schulze Mahler kept repeatedly refining the
Matthäus-Passion BWV 244 [basso (cello/double bass) part, choir 2] Willi Schulze Mahler kept repeatedly refining the
Matthäus-Passion BWV 244 [basso (cello/double bass) part, choir 2] Willi Schulze Mahler kept repeatedly refining the
Matthäus-Passion BWV 244 [basso (cello/double bass) part, choir 2] Willi Schulze Mahler kept repeatedly refining the

Matthäus-Passion BWV 244 [basso (cello/double bass) part, choir 2] Willi Schulze Mahler kept repeatedly refining the

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Description

Mahler kept repeatedly refining the orchestration

Pieter Dirksen discusses various aspects of these pieces' origins

hope to have a solo

and is among the Chopin juvenilia that were published only after his death

Typical for Doless chorale motet is the fifth strophe (see example) with its sleek and elegant alternation between solo and tutti sections

Matthäus-Passion BWV 244 [basso (cello/double bass) part, choir 2] Willi Schulze Mahler kept repeatedly refining the

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