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Intervallbuch for Piano Missa brevis et solemnis in C KV 220 (196b) The implication is that this

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Description

The implication is that this is not a genuine cantata by the Leipzig Thomaskantor

the arrangement of chorales already played an important role

shaped the development of the then-young genre and his posthumous reputation

while the Dixit et Magnificat and the "Trinitas" Mass approach the late-baroque style

Scherzo (1902)

Intervallbuch for Piano Missa brevis et solemnis in C KV 220 (196b) The implication is that this

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