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Both parts of the cantata end with a chorale movement with different verses from the Lutheran hymn “Es woll uns Gott genädig sein”
For stanzas 2–4 Bach chooses the aria form with a highly differentiated scoring from movement to movement
was first published
den mächtigen König der Ehren” BWV 137
which focuses on the meaning of the rebirth of the spirit through baptism
Schule für Sopranblockflöte 50.252/30 Both parts of the cantata
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