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Ouvertüre zu Shakespeares Die Zähmung der Widerspenstigen, op. 18 ヴォーカルスコア The organist will especially welcome
Ouvertüre zu Shakespeares Die Zähmung der Widerspenstigen, op. 18 ヴォーカルスコア The organist will especially welcome
Ouvertüre zu Shakespeares Die Zähmung der Widerspenstigen, op. 18 ヴォーカルスコア The organist will especially welcome
Ouvertüre zu Shakespeares Die Zähmung der Widerspenstigen, op. 18 ヴォーカルスコア The organist will especially welcome

Ouvertüre zu Shakespeares Die Zähmung der Widerspenstigen, op. 18 ヴォーカルスコア The organist will especially welcome

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Description

The organist will especially welcome the comments on performance practice and registration

the organ pieces Max Reger composed in 1904 and 1906 in Munich

The normal opera orchestra of the day was augmented by trombones

Pieter Dirksen discusses various aspects of these pieces' origins

The concert overture on an extra-musical subject is in turn associated in particular with the works of Felix Mendelssohn Bartholdy

Ouvertüre zu Shakespeares Die Zähmung der Widerspenstigen, op. 18 ヴォーカルスコア The organist will especially welcome

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