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as we encounter them
Francesco Gasparini's "Missa canonica" therefore served as a practical model for the highly developed art of canon writing and the strict polyphony in Bach’s late works
was first published
the Psalms and Gospels
It is the intent of this series to explore in some depth the tremendous breadth and variety of styles of music and performance practices that exist for the organ from the last six centuries
Ich lasse dich nicht, du segnest mich denn, BWV 157 (Score) Jürgen Leonhardt as we encounter themReconstruction of the supposed original version (Klaus Hofmann), date of composition uncertain
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