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drawing its higher meaning from Charpentier’s musical-theological interpretation of the Latin hymn of praise that it is based on
The popularity of Handel's recorder sonatas can easily be gauged by the sheer number of old and modern publications of them
“ Württembergische Blätter für Kirchenmusik 1/1991
Verdi set Mary’s meditation in the face of her crucified son
pieces for manuals from the "Schemelli Gesangbuch" and an arrangement for solo organ of the famous chorale movement "Jesus bleibet meine Freude" from Cantata BWV 147
Freunde, Töne, Götterfunken（ヴォーカル・スコア） 重唱 drawing its higher meaning from
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